The plastic world of Rico Sequeira has a characteristic that particularizes it in relation to others, his contemporaries. By the way in which in the order of its doing, the drawing opposes painting. Not because Rico Sequeira denies one or the other, on the contrary, or because he does not use them to one and the other in the course and in the internal movement of his work, but precisely because, using them incessantly, he does so according to a regime of opposition and even deep tension.









